A Solid Versatile Condenser Microphone The KSM32's frequency response doesn't confine it to being strictly a vocal microphone. The SPL handling goes as high as 154 dB with the -15 dB pad, so you can set this microphone in front of a bass or guitar amplifier without worry of distortion. It also works well as an ambient room mic, kick drum mic, or even paired up as overhead mics on drums or a choir.
Roll Off and Pad Features Aside from the -15 dB pad, the KSM32 offers switchable rolloff settings of -6 dB per octave below 115 Hz, and -18 dB per octave below 80 Hz. These filters are helpful for recording vocals, guitars, and mid-to-higher frequency percussion, to weed out the lower unwanted rumble these instruments tend to have around 100 Hz. With the filters off, the KSM32's frequency range goes as low as 20 Hz, so you can grab those lower frequency instruments -- like bass or kick drum -- when you want to.
Solid Engineering for Critical Studio Standards Built with class A tranformerless preamplifier circuitry, the KSM32 has a low self noise of only 13 dB. You'll be able to get that tight and dry sound from a professional vocal booth without any unwanted noise. The Mylar diaphragm is ultra-thin and is very light -- providing a great transient response and true-to-life sound. Also, with the included shock mount, this microphone also works great on stage as well as in the studio.
Shure KSM32 Studio Condenser Microphone Features
- Frequency range of 20 Hz to 20 kHz, with boost at 7 kHz and 10 kHz
- Cardioid polar pattern
- Class A tranformerless preamplifier circuitry
- Self noise of 13 dB
- Weighs 1.08 pounds
- Connects via XLR
- Flat, -6 dB per octave below 115 Hz, and -18 dB per octave below 80 Hz roll off switch settings
- Maximum SPL of 154 dB when used with pad
- -15 dB pad
- Output impedance of 150 ohms
- Signal-to-Noise Ratio of 81 dB
- Shock mount, stand mount, and aluminum carry case included
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