Analog Design Meets Digital Convenience Thanks to RME's analog circuit design, the balanced XLR ins and outs and the TRS headphones outputs on the Babyface are made to deliver superior low noise and low distortion. The audio interface's A/D/D/A converters provide sample rates up to 192 kHz with a dynamic range of up to 115 dBA, while jitter reduction and SteadyClock supply pristine sound quality, whether clocking to an external digital source or the Babyface.
High-End Mic Pres With two digitally controlled XLR mic preamps with individually switchable +48V phantom power onboard, the Babyface is one portable audio interface you can rely on to deliver outstanding stereo recordings. (Well, if your recordings are less than optimal, don't blame the gear!) The mic pres offer up to 60 dB of gain, adjustable in steps of 3 dB over a range of 51 dB; exceptional EIN performance even at low amplification settings; and low total harmonic distortion plus noise (THD+N) values for accurate sound reproduction. You can recall all level settings in the setup software, as well as adjust all settings directly on the unit.
Digital I/O Rounding out the interface's many I/O options, the Babyface includes an optical TOSLINK I/O, usable as ADAT port with SMUX support or SPDIF optical at up to 192 kHz resolution. When used in combination with an outboard ADAT converter, the Babyface provides a total of 10 analog input and 12 output channels!
High Five for Hi-Z One of the features that makes the Babyface such a great desktop interface is its built-in Hi-Z 1/4" input. Recording your guitar or bass is as easy as plugging in your instrument cable to the side of this Baby and switching to Hi-Z input mode. Likewise, integrated MIDI I/O gives you the freedom to use the Babyface with any MIDI-equipped instrument.
Headphones Output For headphone monitoring, the Babyface sports an additional headphone output, which is driven from a separate D/A converter and is available not only directly at the unit but also at the breakout cable. Plug in and enjoy high-quality audio. You can easily adjust and control the phones level by clicking the select button and tweaking the large main volume knob.
Simple, Straightforward Control Operate all major functions with just one hand -- the Babyface's efficient layout includes just one main control knob and two single buttons, providing direct hands-on control for all tasks, from volume control and reference volume store and recall to volume dim, input selection/switching, and input gain control.
A quick glance at the Babyface is all you need to see what's going on with the unit. Helpful LED bars serve as both level and gain meters, giving you visual indication of all inputs, outputs, and headphone levels directly on the interface.
RME Babyface USB 2.0 Audio Interface Features
- Portable 10x2 USB audio interface
- Compatible with both Mac and PC computers
- 2 Analog inputs/4 Analog outputs
- 1 ADAT I/O or 1 SPDIF I/O optical
- 1 MIDI I/O via breakout cable (2 x 5-pin DIN jacks), for 16 channels low jitter hi-speed MIDI
- 1 USB 2.0
- 192 kHz A/D/D/A conversion
- 2 High-quality XLR mic preamps with phantom power and digitally controlled gain
- Hi-Z input available on 1 channel for recording guitars or other high-impedance sources
- TotalMix FX (with EQ, Reverb, Echo)
- 1 Headphones output (separate DA conversion)
- Ultra low latency
- Simple to use interface with 2 main control knob and 2 buttons
- LED metering for visual tracking
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